International Journal of Multidisciplinary Horizon
ISSN No. : XXXX – XXXX
Peer Reviewed Journal
Author’s Helpline : +91 – 8368 241 690
Mail to Editor: [email protected]
ISSN No. : XXXX – XXXX
Peer Reviewed Journal
Author’s Helpline : +91 – 8368 241 690
Mail to Editor: [email protected]
Author(s): Pankaj Kumar Pradhan
Odissi dance, a luminous jewel in the crown of India's classical performing arts, emerges from the sun-kissed shores of Odisha, where temple walls whisper ancient tales of devotion and divine ecstasy. Rooted in the sacred rituals of the Jagannath temple at Puri and immortalized in the sinuous curves of stone sculptures, Odissi transcends mere movement to embody a profound synthesis of spirituality, sensuality, and sculptural grace. This research article traces its historicity from the archaeological echoes of second-century BCE caves at Udayagiri and Khandagiri to the resplendent friezes of the Konark Sun Temple, revealing how Odissi evolved as a bridge between the ethereal Natyashastra of Bharata Muni and the lived devotion of Mahari dancers and acrobatic Gotipuas. Drawing on temple iconography, literary treatises like the Gita Govinda, and the rhythmic imperatives of Vaishnavism, the discussion illuminates Odissi's structural elegance its Tribhanga poses, fluid Bhangas, and evocative Abhinaya while confronting periods of decline under invasions and its phoenix-like revival in the twentieth century through gurus like Kelucharan Mohapatra. Amidst Odisha's cultural mosaic, Odissi stands as a testament to resilience, where stone maidens (Alasa Kanyas) and celestial dancers (Apsaras) pulse with the same life force that animates modern stages. By weaving historical evidence with philosophical depth, this study underscores Odissi's role in preserving India's pluralistic ethos, inviting scholars and enthusiasts to rediscover its timeless allure as a dance of cosmic union and human transcendence.